ïÇÌÁ×ÌÅÎÉÅ ÆÁÊÌÁ ( /INOOLD/WORDSWORD_W/wordsworth1_1.txt )
õÉÌØÑÍ ÷ÏÒÄÓ×ÏÒÔ. éÚÂÒÁÎÎÁÑ ÌÉÒÉËÁ CONTENTS ðå÷åã ïúåòîïçï ëòáñ x x x THE FEMALE VAGRANT óôòáîîéãá GOODY BLAKE AND HARRY GILL çõäé âìåêë é çáòòé äöéìì LINES WRITTEN AT A SMALL DISTANCE FROM MY HOUSE AND SENT óôéèé, îáðéóáîîùå îåðïäáìåëõ ïô äïíá é ðåòåäáîîùå íïéí íáìøþéëïí ôïê, SIMON LEE, THE OLD HUNTSMAN, WITH AN INCIDENT IN WHICH HE WAS CONCERNED óáêíïî ìé ANECDOTE FOR FATHERS, SHEWING HOW THE ART OF LYING MAY BE TAUGHT éóôïòéñ äîñ ïôãï÷, éìé ëáë íïöîï ÷ïóðéôáôø ðòé÷ùþëõ ëï ìöé WE ARE SEVEN îáó óåíåòï LINES WRITTEN IN EARLY SPRING óôòïëé, îáðéóáîîùå òáîîåà ÷åóîïê THE THORN I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII XIX XX XXI XXII ôðòî I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII XIX XX XXI XXII THE LAST OF THE FLOCK I II III IV V VI VII VIII IX X ðïóìåäîéê éú óôáäá I II III IV V VI VII VIII IX X THE MAD MOTHER I II III IV V VI VII VIII IX X âåúõíîáñ íáôø I II III IV V VI VII VIII IX X THE IDIOT BOY óìáâïõíîùê íáìøþéë LINES WRITTEN NEAR RICHMOND UPON THE THAMES, AT EVENING óôéèé, îáðéóáîîùå ÷åþåòïí õ ôåíúù ÷âìéúé òéþíïîäá EXPOSTULATION AND REPLY õ÷åýå÷áîøå é ïô÷åô THE TABLES TURNED, AN EVENING SCENE ON THE SAME SUBJECT ÷óð îáïâïòïô OLD MAN TRAVELLING óôòáîóô÷õàýéê óôáòéë THE COMPLAINT OF A FORSAKEN INDIAN WOMAN I II III IV V VI VII öáìïâá ðïëéîõôïê éîäéáîëé I II III IV V VI VII LINES COMPOSED A FEW MILES ABOVE TINTERN ABBEY, ON REVISITING THE BANKS óôòïëé, îáðéóáîîùå îá òáóóôïñîéé îåóëïìøëéè íéìø ïô ôéîôåòîóëïçï áââáôóô÷á THERE WAS A BOY íáìøþéë LUCY I II III V ìàóé I II III V LUCY GRAY, OR SOLITUDE ìàóé çòåê THE BROTHERS âòáôøñ MICHAEL íáêëì TO JOANNA óëáìá äöïáîîù SONG FOR THE WANDERING JEW áçáóæåò POEMS DEDICATED TO NATIONAL INDEPENDENCE AND LIBERTY x x x óôéèé, ðïó÷ñýåîîùå îáãéïîáìøîïê îåúá÷éóéíïóôé é ó÷ïâïäå x x x CALAIS, AUGUST 15, 1802 x x x ON THE EXTINCTION OF THE VENETIAN REPUBLIC ôõóóåîõ ìõ÷åòôàòõ SONNET WRITTEN IN LONDON, SEPTEMBER, 1802 áîçìéñ, 1802 LONDON, 1802 ìïîäïî, 1802 x x x x x x COMPOSED UPON WESTMINSTER BRIDGE, SEPTEMBER 3, 1802 óïîåô, îáðéóáîîùê îá ÷åóôíéîóôåòóëïí íïóôõ 3 óåîôñâòñ 1802 çïäá COMPOSED BY THE SEA-SIDE NEAR CALAIS, AUGUST 1802 îáðéóáîîïå îá íïòóëïí ðïâåòåöøå âìéú ëáìå, á÷çõóô 1802 x x x x x x x x x x x x PERSONAL TALK x x x öéôåêóëéå ôåíù x x x x x x x x x TO SLEEP óïî TO SLEEP x x x x x x x x x TO A BUTTERFLY ë íïôùìøëõ x x x x x x x x x x x x WRITTEN IN MARCH îáðéóáîîïå ÷ íáòôå TO A BUTTERFLY x x x THE GREEN LINNET úåìåîùê òåðïìï÷ THE SOLITARY REAPER ïäéîïëáñ öîéãá TO THE CUCKOO ëõëõûëá x x x x x x x x x îáòãéóóù THE SEVEN SISTERS, OR THE SOLITUDE OF BINNORIE I II III IV V VI úáíïë âéîîïòé TO THE SPADE OF A FRIEND ìïðáôå äòõçá ELEGIAC STANZAS, SUGGESTED BY A PICTURE OF PEEL üìåçéþåóëéå óôòïæù, ÷îõûåîîùå ëáòôéîïê óüòá äöïòäöá A COMPLAINT óïöáìåîéå GIPSIES ãùçáîù x x x x x x A NIGHT-PIECE îïþø INFLUENCE OF NATURAL OBJECTS IN CALLING FORTH AND STRENGTHENING ÷ìéñîéå ðòéòïäù îá òáú÷éôéå ÷ïïâòáöåîéñ ÷ äåôóô÷å é òáîîåê àîïóôé LAODAMIA ìáïäáíéñ x x x x x x THE FRENCH AND THE SPANISH GUERILLAS æòáîãõúù é éóðáîóëéå ðáòôéúáîù x x x x x x x x x x x x SEPTEMBER 1815 âìéúïóôø ïóåîé x x x x x x x x x x x x THE RIVER DUDDON x x x óïîåôù ë òåëå äáääïî x x x x x x x x x x x x õ éóôïëá THE PLAIN OF DONNERDALE äïîîåòäåìøóëáñ äïìéîá AFTER-THOUGHT ðòïýáìøîùê óïîåô òåëå äáääïî óïî ðéìéçòéíá SEPTEMBER 1819 óåîôñâòø ON SEEING A TUFT OF SNOWDROPS IN A STORM x x x SONG FOR THE SPINNING WHEEL ðåóîñ úá ðòñìëïê THE HAUNTED TREE ïëïìäï÷áîîùê äõâ MUTABILITY éúíåîþé÷ïóôø ÷ ëáðåììå ëïòïìå÷óëïçï ëïììåäöá ÷ ëåíâòéäöå LAMENT OF MARY, QUEEN OF SCOTS, ON THE EVE OF A NEW YEAR I II III IV V VI VII VIII IX X öáìïâá íüòé, ëïòïìå÷ù ûïôìáîäãå÷, ÷ ëáîõî îï÷ïçï çïäá I II III IV V VI VII VIII IX X TO -- x x x TO A SKY-LARK öá÷ïòïîëõ x x x x x x ÷ïäïðáä THE TROSACHS ôòïóóåëó x x x ÷åþåòîéå éíðòï÷éúáãéé çîåúäï ðåîïþëé x x x x x x x x x ÷îõôòåîîåå úòåîéå x x x x x x COMPOSED ON A MAY MORNING, 1838 óïþéîåîï íáêóëéí õôòïí, 1838 THE SIMPLON PASS óéíðìïîóëéê ðåòå÷áì x x x x x x çáòòé-çéììø îáó óåíåòï îáó óåíåòï x x x ðåóîñ ÷åþîïçï öéäá ðáäåîéå ÷åîåãéáîóëïê òåóðõâìéëé ë íéìøôïîõ ìïîäïî, 1802 ìïîäïî, 1802. íéìøôïî x x x x x x x x x âåóóïîîéãá íïôùìøëõ ë ëõëõûëå ëõëõûëá öåìôùå îáòãéóóù x x x x x x çìñäñ îá ïóôòï÷ïë ã÷åôõýéè ðïäóîåöîéëï÷ ÷ âõòà äáìåëïíõ äòõçõ óôòïëé, ïóôá÷ìåîîùå îá ëáíîå ÷ òáú÷åô÷ìåîéé ôéóï÷ïçï äåòå÷á, óôïñýåçï THE FEMALE VAGRANT LINES WRITTEN AT A SMALL DISTANCE FROM MY HOUSE AND SENT BY MY LITTLE BOY SIMON LEE, THE OLD HUNTSMAN, WITH AN INCIDENT IN WHICH HE WAS CONCERNED ANECDOTE FOR FATHERS WE ARE SEVEN LINES WRITTEN IN EARLY SPRING THE THORN THE LAST OF THE FLOCK THE MAD MOTHER THE IDIOT BOY LINES WRITTEN NEAR RICHMOND UPON THE THAMES, AT EVENING THE COMPLAINT OF A FORSAKEN INDIAN WOMAN LINES COMPOSED A FEW MILES ABOVE TINTERN ABBEY, ON REVISITING THE BANKS THERE WAS A BOY "STRANGE FITS OF PASSION HAVE I KNOWN...", "SHE DWELT AMONG THE UNTRODDEN LUCY GRAY, OR SOLITUDE THE BROTHERS ôï JOANNA SONG FOR THE WANDERING JEW "I GRIEVED FOR BUONAPARTE, WITH A VAIN..." "CALAIS, AUGUST 15, 1802" ON THE EXTINCTION OF THE VENETIAN REPUBLIC SONNET WRITTEN IN LONDON, SEPTEMBER, 1802 LONDON, 1802 "NUNS FRET NOT AT THEIR CONVENTS NARROW ROOM..." COMPOSED UPON WESTMINSTER BRIDGE, SEPTEMBER 3, 1802 "IT IS A BEAUTEOUS EVENING, CALM AND FREE..." "I AM NOT ONE WHO MUCH OR OFT DELIGHT..." ""BELOVED VALE!, I SAID, "WHEN I SHALL CON..."" "WITH SHIPS THE SEA WAS SPRINKLED FAR AND NIGH..." ôï A BUTTERFLY "MY HEART LEAPS UP WHEN I BEHOLD..." "AMONG ALL LOVELY THINGS MY LOVE HAD BEEN..." WRITTEN IN MARCH TO A BUTTERFLY THE GREEN LINNET THE SOLITARY REAPER TO THE CUCKOO "SHE WAS A PHANTOM OF DELIGHT..." "I WANDERED LONELY AS A CLOUD..." THE SEVEN SISTERS, OR THE SOLITUDE OF BINNORIE ôï THE SPADE OF A FRIEND. A COMPLAINT A NIGHT-PIECE îïþø INFLUENCE OF NATURAL OBJECTS IN CALLING FORTH AND STRENGTHENING THE LAODAMIA THE FRENCH AND THE SPANISH GUERILLAS "WEAK IS THE WILL OF MAN, HIS JUDGEMENT BUND..." "SURPRISED BY JOY-IMPATIENT AS THE WIND..." SEPTEMBER 1815 "HAIL, TWILIGHT, SOVEREIGN OF ONE PEACEFUL HOUR!.." "HOW SHALL I PAINT THEE..." AFTER-THOUGHT ON SEEING A TUFT OF SNOWDROPS IN A STORM SONG FOR THE SPINNING WHEEL THE HAUNTED TREE MUTABILITY LAMENT OF MARY, QUEEN OF SCOTS, ON THE EVE OF A NEW YEAR THE TROSACHS "CALM IS THE FRAGRANT AIR, AND LOTH TO LOSE..." "IF THIS GREAT WORLD OF JOY AND PAIN..." "MOST SWEET IT IS WITH UNUPLIFTED EYES..." "WHY ART THOU SILENT! IS THY LOVE A PLANT..." COMPOSED ON A MAY MORNING, 1838 THE SIMPLON PASS "THOUGH THE BOLD WINGS OF POESY AFFECT..."
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